Theodorou started out working in the live music industry in Manchester before trying her talent in theatre sound. Here, she talks following productions, such as Funny Girl and Six, from a practice room, through to Edinburgh Fringe and into the West End
Over the past few years, Liv Nagy has applied her considerable skills to a multitude of audio engineering applications, resulting in her becoming one of the most exciting young talents in the theatre audio world…
As a sound designer, showreel producer and voice actor, Kirsty Gillmore’s love for audio leads her to enviably creative projects. Tara Lepore spoke to her about how the ‘golden age’ of audio is opening up endless possibilities...
The Easter programme forms a core component of Orbital Sound’s educational offering, complemented by May's Mixing Musicals course
The second TTA awards ceremony took place yesterday on the Theatres Trust Stage
On 20 April, the Nekkerhal became the platform for one of Europe's biggest-ever theatre productions – and audio reinforcement plays a key role.
On 20 April, the Nekkerhal became the platform for one of Europe's biggest-ever theatre productions – and audio reinforcement plays a key role.
On 20 April, the Nekkerhal became the platform for one of Europe's biggest-ever theatre productions – and audio reinforcement plays a key role.
