Meyer Sound has collaborated with legendary mezzo-soprano Stephanie Blythe and pianist Craig Terry in the release As Long As There Are Songs; a collection of American classics. This is the first full album to be recorded using a Meyer Sound Constellation acoustic system and features a proprietary recording technique developed by company CEO and co-founder John Meyer.
Watch how Meyer Sound’s Constellation shaped Blythe’s new album
The technology provided a performance environment optimized for the artists, while giving listeners of the record an exceptionally accurate sense of being “in the room” with the performers. “My job is to give artists like Stephanie the tools that bring her closer to her audiences,” said Meyer. “With this recording, we returned to what some may consider the ‘old school’ recording style, where musicians play together in the same room, and listeners can trust that they are hearing the performance at its fullest, nothing more, nothing less.” The recording took place in Meyer Sound’s 57-seat Pearson Theatre. Using the room’s Constellation system with its variable acoustic capabilities, Meyer Sound engineers worked closely with Blythe and Terry to create a customised acoustic environment. During the recording, they performed comfortably without the interference of close-field microphones or headphones. Full takes were recorded natively at 24/96kHz. A third of the songs were captured as entire, unedited takes, with minimal edits made to the other tracks. No post-process filtering or compression was done during the capture or mastering process. “The Meyers’ incredible spirit of generosity combined with their technology allowed us to create a recording with a sound that is honest, generous and real disc that magically transports listeners from their car or couch to the feeling of being at our actual live performance,”said Blythe. www.meyersound.com