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Immersive theatre attraction The Flyer – San Francisco chooses L-Acoustics

The attraction provides an immersive tour of the Bay Area, heightened by a cinematic soundtrack played through an L-Acoustics sound system

L-Acoustics has provided the sound system for a new flyover theatre attraction called The Flyer – San Francisco that takes guest on a “flight” through the Bay area.

The theatre attraction provides tourists and locals with a bird’s eye view of the city using cinematic artistry and state-of-the-art HD film footage, captured with the help of drones and helicopters, and blended with computer-generated imagery. The experience is heightened by a cinematic soundtrack played through its L-Acoustics sound system.

The soundtrack and sound effects were written, created and produced by Mathieu Vachon, audio director for Triotech, the Québec-based company behind The Flyer – San Francisco. The sound had to be big to match, which, according to Vachon, is why L-Acoustics was the ultimate choice for the project.

At The Flyer – San Francisco, three coaxial L-Acoustics X12 loudspeakers are positioned in an LCR array across the front of the attraction’s theatre, behind its massive 1,100-square-foot (50’x22′) screen. Two rows of tiny 5XT speakers are mounted on the rear walls for the surround elements – one pair per side, covering and upper and lower seats – while four SB18 subwoofers compete the discrete 5.1 system, which is powered and processed by two LA4X amplified controllers. Montréal-based Solotech integrated the audio complement for Triotech in conjunction with L-Acoustics’ Andre Pichette, who performed the final system calibration via the manufacturer’s LA Network Manager software.

When The Flyer experience begins, 28 seated guests, suspended on an active-motion platform, embark on an immersive, high-definition “flight” through some of the Bay Area’s iconic landmarks and neighbourhoods, including the Golden Gate Bridge, Alcatraz, Coit Tower, Marin Headlands, Chinatown, the Castro and more.

“The soundtrack is extremely dynamic and exciting, and it also follows the emotions of the film very closely,” said Vachon, who added that it took three months to envision, compose, record and mix. “But once we were finally on site at Pier 39 and I heard it played through the L-Acoustics sound system, I thought, ‘Wow!’ It was even better than in the studio. The score is huge and orchestral, and these loudspeakers make it feel so alive. The highs are crisp and clear, and the subs deliver a nice solid low end. Combined with the video, the final result is breathtaking, and the L-Acoustics system is a big part of The Flyer’s success.”

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