Britannia Row supplies sound for Spurs' stadium grand opening

Britannia Row provided live audio for the football team's ground closure at White Hart Lane in 2017, and two years later were tasked with their new stadium's grand opening
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Britannia Row supplied sound for the opening event of Tottenham Hotspurs' new home stadium.

In 2017, Britannia Row was tasked with providing sound for the North London football team’s ground closure at White Hart Lane. Two years later, the rental house was asked to supply engineers and a control package for the grand opening of the new stadium.

Working with Donaldson Creative, event producers Gary Beestone Events and Theatre were contracted in to ensure a smooth delivery of sound was achieved for the event.

Britannia Row client liaison, Tom Brown, explained why it was very important to execute it perfectly. “We had some of our expert TV and touring crew working on this job. With an event like this, there’s simply no room for glitches.”

Britannia Row also brought in broadcast sound supervisor, Toby Allington (The BRITs / MTV EMAs) to provide a music feed which Sky then mixed in with its sports ambient mics. The broadcaster had final control over what went on TV.

Before the match against London rivals Crystal Palace, fans got to experience 45 minutes of team songs by The Tottenham Hotspur Marching Band before the official Opening Ceremony was broadcast live on UK TV. The artists comprised a choir from Gladesmore Community School (orchestrated by musical director, Steve Sidwell) with Lanya Matthews leading the vocal celebrations. The pupils were also joined by Spurs fan and Welsh tenor, Wynne Evans.

Britannia Row provided the live audio mix and a broadcast feed for the Sky Sports crew. Mixing desks deployed were Yamaha QL1s, which received stems from the Britannia Row playback system. A package of Shure handheld microphones, Shure IEMs and 32-channels of RF were also utilised.

Brown continued: “The RF needed some figuring out, with the channel list fitting for TV coverage. As far as our equipment goes, we deliberately designed the system with a small footprint. We built the spec around the varied line-up, from a soulful songstress to rap and operatic vocals, which played for around 10 minutes.”

Gary Beestone said: “This mini concert had a huge audience and called for a collaborative approach between both our team and Brit Row. We had a very intense task ahead but with Tom Brown in place handling audio from the very beginning, it meant the project benefited from absolute continuity; from conception right through to the delivery, I knew we were in safe hands.”

Britannia Row has managed audio for a number of high-profile live sporting events such as the Rugby World Cup, Game 4 Grenfell (the tragedy’s charity football match) and a host of NFL and FA games to name but a few. Brown revealed: “Taking a gig in and out of a football or rugby stadium is difficult and requires some precise logistical management, obviously nothing can get in the way of the game. This show went very smoothly; we had a very happy client and a great crew in place to mix the performance and get it right the first – and only! – time.”

According to Beestone, Spurs’ 2-0 victory wasn’t the only success of the night: “Brit Row are very well suited to both high-pressure and large scale outdoor events. They’re able to deliver huge coverage and, as usual, the sound quality was faultless.”

The Britannia Row crew were:

Scott Maxwell: FOH Engineer

Steve Donovan: Monitor Engineer

RF Engineer & Crew Chief: Dan Lavi

Stage Technician: Paul Gardiner

System/Stage Technician: Sergiy Zhytnikov

Comms & Stage Technician: Tony Scaife

We spoke to club staff and Harman execs – 24 hours before the grand opening – about the groundbreaking tech of the new stadium. Check it out here

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